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The New Willie Lynch: Mainstream Media & Rap Music


    Ladies and Gentlemen. I greet you here at the offices of Interscope Records, in the year of Iggy Azalea.  First, I shall thank you, for releasing and promoting rap music that affects so many people.  But I am here to help you solve some of your problems with your rappers and the general public.  Lately, I have been experimenting with some of the newest, and, still, the oldest, methods for controlling artists and the general public.  All the world has begun to envy America’s rap culture. Today, I will show you how your record labels and media companies can maintain racism and get your artists and the general public to carry out this task for you. Some call music the great unifier. Well, today, I will show you how to use music and popular media and culture as the great divider, so that we – executives and the White community – can remain powerful and keep people of color oppressed.

    Travelling around the globe and seeing how widespread rap culture is, I saw enough to know that your need to control and brainwash society with rap music is not unique. You can expand this brainwashing so that the entire globe will be under your control.  While, in history, your society used the tree, the rope and Jim Crow laws to control negroes, now, you can use mainstream rap music to do the job.  I AM HERE TO INTRODUCE YOU TO A FOOLPROOF METHOD FOR CONTROLLING BLACK PEOPLE  and, eventually, the worldwide globe.  Since it has been 300 years since the old Willie Lynch method, I offer you a modern, improved method that is guaranteed to last at least another 300 years.

    My method is simple. Any one of your executives or A&R’s can use it.  I HAVE OUTLINED A NUMBER OF DIFFERENCES AMONG RAPPERS AND LISTENERS; AND I TAKE THESE DIFFERENCES AND MAKE THEM BIGGER. This method worked on Southern plantations, and will work throughout America via mainstream rap culture. Take this simple list of differences and think about them. At the top of my list is “RACE,” but it’s there only because the foundation of America was built on racism.  The second is “COLOR” or shade. There is INTELLIGENCE, SIZE, SEX, SIZE OF HOUSES, and STATUS in a gang or social group. Whether the rappers and listeners live in the valley, on a hill, East, West, North, South, have fine hair, course hair, weave, natural hair, whether they are tall or short, have a big ass or small one, big breasts or small breasts, I will show you how to use their differences against them.

    Now that you have a list of differences, I shall give you an outline of action, but before that, I shall assure you that DISTRUST IS STRONGER THAN TRUST AND ENVY IS STRONGER THAN ADULATION, RESPECT OR ADMIRATION.  The slave rappers and their listeners, after receiving this indoctrination, shall carry on and will become self-refueling and self-generating, self-hating modern slaves for HUNDREDS of years, maybe THOUSANDS.

    You must pitch the OLD, CLASSIC Black rappers, Hip Hop emcees and fans against the YOUNG rappers.  The younger generation of Black rappers shall not respect the older generation and must not seek their elders to instill in them the knowledge they need for longevity. We must put them against each other to disrupt unity and a cohesive culture.

    You must use the DARK skinned rappers and listeners vs. the LIGHT skinned rappers and listeners. You will make sure your rappers talk about skin color in their music and videos. I say “your” rappers because they are just that. They belong to you. They are nothing without your companies. They make money for you. They do as you tell them, and they are not allowed to make their own decisions. You are their masters; your executives are their slave drivers. Remember that. YOU, and only you, have power. Now, by putting the old against the new and the dark against the light, they will choose a side and be divided by their preferences, making their listeners do the same. They will start incorporating LIGHT vs. DARK into their identities and relationships. They will find different ways, slang terminology, and methods to separate themselves based on color and skin tone. Artists and the public will then carry out the division you started and begin nurturing the oppressive seed you plant. Dark skinned negroes will despise lighter skinned negroes and vice versa. They will never unite and both will learn self-hate through separation.

    You must use the FEMALE rappers and listeners vs. the MALE rappers and listeners against each other.  You must also have white listeners and executives who distrust all Blacks – but don’t worry, because the music will help you achieve this. But, remember, it isNECESSARY THAT YOUR BLACK RAPPERS TRUST AND DEPEND ON US, the media companies and record labels. THEY MUST LOVE, RESPECT AND TRUST ONLY US. They should not be able to realistically reach the fame and exposure they desire without our record labels and media companies.  As I will explain later, they must be completely dependent upon our companies and us. They must not be content with being underground, independent or anything less than mainstream, radio artists. They should crave popularity and mainstream acceptance. Gentlemen, these kits are your keys to control. Use them. Have your wives and children use them, never miss an opportunity. IF USED INTENSELY FOR ONE YEAR, THE RAPPERS AND LISTENERS WILL REMAIN PERPETUALLY DISTRUSTFUL. Thank you gentlemen.


    What do we need? First of all, we need a Black negro man, a pregnant negro woman and her baby negro boy. You will expose the Black negro mother to our corporate mainstream rap music at every chance. Her every day life will be surrounded by these sounds, images and ideas. She will constantly be reminded of her hypersexualized role and that her Black male counterparts prefer her this way. She will constantly be told that her Black male counterparts do not want her exclusively and they seek multiple mating partners. She will learn to resent her Black male counterpart and project these negative ideas onto her negro boy child. The father, will be sure to engage in violence and criminal behavior since he will try imitating the violent behaviors you constantly expose him to through rap music. This way, his criminal behavior will cause him not be around to mitigate his mother’s negative influence on the negro boy child.  In the event he does NOT succumb to the criminal influence we surround him with, we will constantly expose these negative images to  EVERYONE, so that ALL PEOPLE, including law enforcement will distrust negro men and charge them with crimes based on the belief that they are all violent criminals. This will be achieved via rap music. Thus, the negro male will be incarcerated whether he is indeed criminal or not, breaking up the possibility of a stable negro family. Again, they must depend on only us.  

    Second, we will use the same basic principle that we use in breaking a horse, combined with some more sustaining factors. What we do with the horses is that we break them from one form of life to another; that is, we reduce them from their natural state in nature, as explained earlier. Whereas nature provides negroes with the natural ability to take care of their children, we break them, making negroes dependent on us so that we can exploit them and use them for producing our own business and PLEASURE. 

    In the case the Black negro male does attempt to be around his child and family, even if only temporarily, our mainstream rap culture will instill in him misogynistic ideologies so that he disrespects his female negro counterpart, nevertheless. The Black negro male, through both his presence and absence, will program the Black negro boy to imitate his misogyny once the boy is an adult negro male. The Black negro female will teach her child to distrust negro men, since the one she mated with treated her poorly. This will also help lead him into criminal behavior.

    Because of our rap music, the negro female should become hypersexualized, causing her son to distrust and lack respect for her as well. Thus, the younger generation and offspring of both male and female negroes will distrust virtually all other negro men and women.  In the event the negro male and female mate and have a female offspring, the same measures will produce very similar results in our favor.  The female offspring will distrust negro males, become hypersexualized like her mother and/or the images we expose her to, and perpetuate the above cycle of self-hate and oppression.

    For orderly future, special and particular attention must be paid to the FEMALE and the YOUNGEST child.  Negroes must continue to be CROSSBRED to produce a variety of skin color and features, and a division of labor, even within the entertainment industry.  Thus, male rappers must pay particular attention to skin color. They must covet women with lighter skin complexions – the lighter, whiter, the better. They must use their music to reference the beauty of lighter skin and make darker skinned women feel inferior. Lighter skinned “artists” must be treated better. They must be given more opportunities and reach broader audiences, including audiences outside of the great United States. This way, we will use rappers to divide the negro community, but also, to make social acceptance depend on us. We decide who and what type of negro can be accepted, popular, and considered attractive. They must value European and whiteness above all else. Anything related to them or produced by them must be considered and treated as inferior.  Through this method, dark skinned people will hate lighter skinned people, and neither will fully accept the other. They will believe that the possibility of being accepted relies on their ability to become popular in the media, only through us and with our acceptance.  We must make it impossible for them to achieve complete acceptance from themselves and their own communities.

    The female rappers and the women that male rappers feature in their videos or visual performances MUST appear EUROCENTRIC, either in skin tone or fashion. We must make it clear that the negro in its natural physical state is undesirable and intolerable. They must try their very best – no matter how futile their efforts – to look as European and white as possible, buying products manufactured and sold by us only. This makes them dependent upon us both socially and economically. We must limit their roles toCONSUMERS, they must not be able to be PRODUCERS, as that role is for us only.

    We make negroes depend on the entertainment industry for what they consider success. We make them think they are best suitable as actors, rappers, singers, etc.  We make them want to become popular within the media and the platforms we provide. By making them dependent upon us for their success, we can then control their actions and control how those who look up to them act, all while making money off of them – while their communities remain poor. If they want to become doctors, lawyers, educators and executives and believe these goals are realistic, we lose power and control. They would become independent instead of dependent on us, the media industry. We must first convince them that this is the most desirable and most fitting job they can attain.  They must not believe becoming a doctor, lawyer, educator, financial advisor, politician or any other non-entertainment center position is possible or desirable. We must make them WANT most to entertain us, and, thus, dependent upon us.


    It is not good enough to control negroes for a short period of time, we must implement a system that comprehensively breaks people down, and that will allow us to remain financially and socially superior for centuries to come. Both horse and negro are no good to the economy in the wild or natural state.  Both must be BROKEN and TIED together for orderly production. For this reason, we must train them to spend their money in ways that economically benefit ONLY US. We must surround them with images of alcohol, fancy cars, clothes, houses, and other luxury items – all owned by us. We must teach them to be reckless with their finances, rely on debt – from us. They must covet what we have and be willing to financially struggle in order to obtain it. They must not establish long-term wealth. Your media companies must surround negroes with Eurocentric consumer values, so that they are consumers and never producers. They must be taught to spend instead of save and invest, so that their offspring and future generations will never attain what we have – financial security and generational wealth. This will be achieved by promoting grandeur images of your rappers and partnering with companies that your rappers will promote to their communities, encouraging rappers and negro listeners to spend in ways that economically benefit us, while destroying them.

    Whenever possible, we must award WHITE “artists” more than negroes to further condition them as inferior. They must never attain the same level of recognition and success as White artists. They must remain inferior both psychologically and historically. They will be given awards only with our permission and when the images and messages they send forward our mission and mislead them. We must PREVENT or DESTROY any governing faction they attempt to create that gives them the opportunity to autonomously govern and reward themselves. They are DANGEROUS near us and as producers/owners, and it requires too much labor to watch them away from our control and record labels. Above all, you cannot get them to work in this natural state. They are inherently ignorant and any attempt to govern and reward themselves with only result in chaos and foolishness, since they are mentally inferior.  They must also believe in their inherent foolishness and inferiority. They should feel they can only trust and conduct business with White people. Once they are rewarded with popularity and minimal monetary compensation, they must think other negroes are incapable of supporting them in business (i.e. as lawyers, doctors, financial advisors, etc). This is because they will believe in their own mental inferiority. As a result of them feeling like they are inappropriate for roles as lawyers, doctors, business conductors, they will alsoWANT to play the role of gangster, drug dealer, womanizer in their music and in visual entertainment, even if they are not gangsters or drug dealers in real life. The entire method proposed here uses rap music and entertainment to brainwash a community into believing and acting as though they are inferior, untrustworthy, hypersexualized, and inferior to us. If you follow my method, ladies and gentleman, you will achieve total control, subjugation and oppression of the negro population in no time! Eventually, if you continue to use these methods, these ideas will spread across the world and EVERYONE, EVERY RACE, EVERY CULTURE AND CREED, will believe these negative images to accurately represent the negro population and they will see these behaviors reflected in them. You can achieve total, global brainwash and re-programming.  KEEP THE BODY, TAKE THE MIND! In other words, break the will to resist. There is an art in long range economic planning and my methods will equip you all with what you need to remain superior socially and economically for centuries to come.